PUBLICATIONS

Editor, Tīpurepure ‘Au Vaine (Porirua: Pātaka Art+Museum, 2026)

Editor, Jasmine Togo-Brisby: ungeographic (Porirua: Pātaka Art+Museum, 2025)

Co-editor with Christopher Braddock, Layne Waerea and Victoria Wynne-Jones, Resetting the Coordinates: An Anthology of Performance Art in Aotearoa New Zealand (Auckland: Massey University Press, 2025)

Co-editor with Ana Sciascia, Ka Mua, Ka Muri (Porirua: Pātaka Art+Museum, 2023)

Co-editor with Karl Chitham, Whetūrangitia (Wellington: The Dowse Art Museum, 2022)

Editor, Janet Lilo: Status Update (Auckland: Te Uru Waitakere Contemporary Gallery, 2016)

Editor, Tau Tupua: The Spirits, featuring writing by Vela Manusaute and images by Robert George and Toa Taihia (2014)

JOURNALS

Co-editor with Lana Lopesi, Marinade: Aotearoa Journal of Moana Art (2021–ongoing)

BOOK CHAPTERS

Keyboard Shortcuts: processing the digital in the work of Janet Lilo, in Kirsty Baker, Sightlines (Auckland: Auckland University Press, 2024)

Speaking Online: The Internet and Moana Arts Criticism, in Lana Lopesi, Pacific Arts Aotearoa (2023)

Anything but shy: exhibitions of tīvaevae, in Lana Lopesi, Pacific Arts Aotearoa (2023)

From consumers to producers: rendering Moana video art, in Lana Lopesi, Pacific Arts Aotearoa (2023)

Re-worlding Fa’afafine herstories: Yuki Kihara at the Venice Biennale, in Lana Lopesi, Pacific Arts Aotearoa (2023)

Polynesian corpuscles: tracing migration through craft, in Karl Chitham, Damian Skinner and Kolokesa Mahina-Tuai (eds.), Crafting Aotearoa (Wellington: Te Papa Press, 2020)

CATALOGUE AND EXHIBITION ESSAYS

Rowan Panther, On Every Side of Lace (Auckland: Gus Fisher Gallery, 2026)

Boundary work | Loitering at the loopholes, in Layne Waerea: Working Together: A Parliament of Fog (Hastings: Hastings City Art Gallery, 2026)

Making Waves: Ioana Gordon-Smith on Edith Amituanai (Wellington: Pyramid Club, 2024)

Knowledge exchange: travelling towards tapa, Asia Pacific Art Papers (2024)

Bring the Gods In: A response to TA’AI by Nina Oberg Humphries (The Physics Room, 2021)

Speaking for Themselves: the Legacy of Barry Barclay and Merata Mita (Circuit, 2019)

If these walls could talk, they’d tell you my name (Courtney Place Lightboxes, Wellington City Council, 2019)

More membrane than wall: challenging boundaries in the work of Christopher Ulutupu, in More than All the Ocean Between Us (Sydney: Artspace, 2019)

Sister project: Asia Pacific Century, co-written with Emma Ng, lei-pā catalogue (ST Paul Street Gallery, 2017), pp. 15–17

Beyond the Thing, Cushla Donaldson: The Fairy Falls (Auckland: Te Uru Waitakere Contemporary Gallery, 2017)

Chloe Rose Taylor: SuperValue (Christchurch: The National, 2017)

Social Matter (Dunedin: Blue Oyster Art Project Space, 2017)

Handle with Care (Auckland: Te Uru Waitakere Contemporary Gallery, 2016)

Feeling welcome?, co-written with Louisa Afoa, in A Year of Conscious Practice (The Physics Room and Blue Oyster Art Project Space, 2016)

Exchange: a conversation with UNIFORM (Dunedin: Blue Oyster Art Project Space, 2016)

John Vea’s talanoa (MTG Hawke’s Bay, 2015)

The artist is not present, in Reading, Walking, Writing (Christchurch: The Physics Room; Auckland: ST Paul St Gallery, 2015)

Voids and Veils, co-written with Karl Chitham, in Lonnie Hutchinson: BlackBird (Auckland: Gus Fisher Gallery, 2015)

To and fro: a conversation with James Cousins (Auckland: Te Uru Waitakere Contemporary Gallery, 2015)

Empty Slate / Blank Vessel (Auckland: Masterworks, 2015)

Object Shift (Auckland: Objectspace, 2014)

John Vea: Homage to the Hoi Polloi (Auckland: Papakura Art Gallery, 2014)

Small gardens, in Talia Smith: Lead Us Outside, Lead Us Out Quietly (Wellington: Enjoy Public Art Gallery, 2014)

Sole Desire (Auckland: Objectspace, 2013)

A Space Between, Archipelago Series (Auckland Council, 2012)

Occasions of Blikfang (Auckland: Objectspace, 2012)

Ubiquitous: Aspects of Contemporary Pattern (Auckland: Objectspace, 2012)

Matt Coldicutt: Kōtahitanga! Chalk That Talk, Walk That Chalk! (Auckland: Artspace, 2012)

ARTICLES

Yuki Kihara: Fa’afafine Nation, Art News New Zealand, Winter 2022, vol. 22, no. 2, pp. 52–59

Re-routing Whakapapa: Jasmine Togo-Brisby and Making New Material Histories, The Vessel (2022)

Trojan Horses: Internships and Entering the Arts Pipeline, Pantograph Punch (2020)

New Guises, Artlink Australia, vol. 40, no. 2 (2020), pp. 24–27

Burning Out the Art Scene: How ST Paul St Gallery Are Doing Things Differently, Pantograph Punch (2019)

Culture Beyond the Archive: Jasmine Togo-Brisby Profile, Art News New Zealand (2022)

‘I blame Judy Blume’, OVER TIME, Public Share broadsheet (2018)

‘Plan to exit’, Femisphere (2018)

Building the Community (Archive): The Work of Linda T, Pantograph Punch (2017)

Celebrating the Pacific: The Inaugural Honolulu Biennial, Art News New Zealand, Winter 2017

Make Space: The Rise of the FAFSWAG Art Movement, Art New Zealand, issue 158 (2016)

Terms of Convenience, un Magazine, issue 9.2 (2015)

Close Encounter: A Meeting with the Queen (a series of interventions by Auckland-based artist Jeremy Leatinu’u), Art New Zealand, issue 154 (2015)

REVIEWS

Overlap and Unfurl: A Review of Māori Moving Image ki Te Puna o Waiwhetū, Circuit (2022)

Future Histories: A Review of Ā Mua, Pantograph Punch (2020)

Four Pacific Female Painters: A Review of This Is a Library, Pantograph Punch (2020)

From the Margins to the Mainstream: Pacific Sisters at Te Papa, Pantograph Punch (2018)